Passenger to Frankfurt by Agatha Christie First Edition The Crime Club Collins 1970. No previous owner's marks or inscriptions, contents clean and unblemished throughout. Covers are near fine and without bumping to corners. In a near fine dust jacket with no tears or loss. Not price clipped and no fading to red lettering on spine.

At a fog-shrouded Frankfurt airport, weary diplomat Sir Stafford Nywood, battered by diplomatic drudgery, lends his passport and cloak to a desperate, identical stranger fleeing unknown peril—unwittingly igniting a maelstrom of espionage. Back in London, the imposter's trail leads to neo-Nazi agitators plotting Europe's upheaval via a charismatic Hitler double, while Nywood grapples with a shadowy cabal ensnaring his aunt, the formidable Lady Matilda de la Roche. From Bavarian castles to clandestine meets, allies and traitors blur amid forged identities and fervent ideologies. Christie's uncharacteristic thriller pulses with Cold War paranoia, blending improbable conspiracies and wry asides in a feverish chase for thwarted apocalypse.

Agatha Christie's Passenger to Frankfurt intrigues collectors as an outlier in her espionage forays, its first editions scarcer than Poirot perennials due to the genre's divergence from her cozy core, emblematic of her late-career experiments. Culturally, it taps post-war fears of resurgent fascism and identity flux, echoing Eric Ambler's continental webs but laced with Christie's domestic ironies, prefiguring Len Deighton's spy satires. Readers of unconventional thrillers—those lured by global stakes over village sleuthing—will appreciate its audacious scope and eccentric cast, ideal for completists seeking Christie's ventures into geopolitical frenzy beyond the drawing-room denouement.